ANALIS ➋➍ if it’s a portrait, is mine



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First off happy 1976!!!

Don’t know about you, but this new year’s premiere has been greit, very exciting. Amadeo, my little bro (younger but with far more wisdom and {thus?} gray hair than me) came to visit. He’d been travelling the world giving teachings, he’s a travelling teacher of the Diamond Way, western biggest budhists’ community. But family, you know, are the worst students so he has to figure out a clever strategy to deliver a bit of light onto us.

And hey ho heya hé this time he outdid himself. We’ve got a tendency to look for answers on big structures, yet many times the very small, the tiny almost invisible ones are the troy’s horses that really deliver the punch. Amadeo understand this and taking advantage of this knowledge, he gave us a present we could not “refuse”, he gave us a tremendously wise flu, heya heya lá ya hey hé!

When the whole family is sick, there’s no hierarchy, values are flaterned to its core, achieving little cotidian things becomes the carnage in a god’s battle, we jump 40 years forward, 40 years backward from second to second and so the output delivered vary from super wise, deep yet uncomprehensible grunts to spontaneous blasts of baby language, laughter or tears all attached to knots of emotional unknowness.

How a virus became my master… truly fascinating


But this was just the sauce where the meat of all meats would meet us. That is idiotic, anyway while the first wave of illumination, I mean sickness was arriving to our shores, Amadeo showed me a bracelet, a cord bracelet a friend of his had made, do you want it? Inmediately I could not but think that my wrist was still mourning the last one – you can understand better if you have a look at BMW crash about the middle of this post

So I was not “inclined” to accept the gift… but then, as casual as a the universe extinguishes a whole galaxy, Amadeo said there’s about 100 meters of rope tangled here, if you ever need it. And right there, like a thunderbolt piercing my skull the meaning was clear light. I took it from his hand, wrapped and screw it around my wrist… where it has been since.




It’s made of a couple heavy duty ropes, one metal piece that allows 3 different positions (sizes), a second one that’s an open ring and a third screwing one than closes the whole system. It is not light and yet feels incredible confortable and present which I like. Somehow reminds me of a scorpion, which being my ascendent explains everything ja jaJ AJj a

This is a suicidal kit, no matter where you are, if you feel like killing yourself, you’ve got the tools alright, just find a nice quiet place with a good view, as it will be the last one, and make a slip knot, attach remaining end to solid place and you’re all set. It is the ultimate freedom kit. I love it, knifes are so messy, ja ja ja aja

Also it is a constant reminder of death. In most western countries we have placed death in a far far away cold corner of our universe when the truth is that it lives here with us, in all little things, within all complex structures, it is not an end, neither a beggining of any nonsense cycle bullshit, it is the same as life, it has just being given an ugly name. And we give ugly names to many things that frighten us, like being old, like being dead… being dead ???

So it seems that my bracelets are related to death, I used to wear one of a girl who died, then the BMW crash and this one now. It makes sense as body adornments way before being something of aesthetic value had a very strong transcendental simbolic function =) I’m a cave man, lalalá ugh buga I’m a caaaave maaaan



So now, helped with the flu (and those heightened voices one’s not able to hear normally), with the scorpion of death around my wrist I can start practising stuff, yeahhhHH. Bring it on!!! Thank you little brother, thank you for taking such a personal approach to teach me

/// 🐨 F E L I Z 🐋 8 🌴 L E O 🌶 \\\


Hey you, big guy, wanna play some majong with us? Bring your wallet




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Analis et Max. Photo by Biulix 🐛 🐝🌿


Got two and a half black
plus one and a half red
breakfast machines
complaining news
all very confusing
bullshit smoke curtains
coming out the network
inside our heads
like plastic butterflies
they say but actually
more like fat flies
with fake eyelashes
looping around nightmares

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MARTIN ➋➌ if it’s a portrait, is mine





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something… remains: A2Z in 4 songs



Merci a Boris, Yago, Ana, Tiberio, Célia, Píter, Diana, Biuli and very VP


\\\ Root One (?) – track 05
\\\ Glenn Gould, Leonard Rose, Jaime Laredo
Bach Sonatas for Violin & Hapischord – Adagio with cancer
\\\ La Compagnie des Anges – Valse à Mario
\\\ U Srinivas & Michael Brook – Saranambhava Karuna


While editing the video I had this feeling, well many feelings, because it’s like living though all of it again but slower, and rewinding and then forward again, then the remix part which is fun, the puzzle and to get lost in the universe of details and colours… So I was saying that this is maybe the montage I’ve put together that’s more like being inside my head. BTW the little cat spend 1 week with me, got as fat as biologically possible, I managed to get her eyes open and the wound on her head’s left side started to heal… didn’t had time to give her a name but she took my heart the same, je je je korny wonkerz. Then a baby brother also appeared,  a beautifully fluffy – and I mean it, cotton candy hair – big headed male that looked like a mini grey wolf and talked way less  :P. So I went to talk to the babies’ parents, basically WTF are you doing with your children guys?!!! and they agreed in having them back. That day I cried (and I am not the cryiing type); then had a tough swim, then ate, then a long stroll; came back with the sunset and wearing a smile. Who cares?! The kittens do =)


A couple screen-grabs.
The edit, stickies everywhere so I remember, remember to forget


and grade… donkeys are such tender beasts with the longest eyelashes, stubborn, yes I totally identify, just wish my white hair shined away like on this lady




Of the films I saw during this 2 month period it’s only worth mentioning Tsangari’s Chevalier (a film about men) and Kelly Reichardt’s Certain Women (obviously a film centered on women).

I also did other stuff, in the photo by VP I’m sawing the screws while recharging my balls… which reminds me

Some sites pop up and between laughs and disbelief I try not to fall from the chair


The caption would read somethin like zombies love(d) animals too



And we shall end the post like the film starts with the coolest: Mr Gafa



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ANIMALIPSTICK • VI ( 3 short animations once in a while)



Wow it’s been more than a year since the last Animalipstic chapter… I knew one a month would be too much. As it has been so long, triple dose on animations =)
I’ll update the credits with time
Added propper credits, tittle and release year =)

A Dog’s Life • 2015


A shortfilm by
Pieter Vandenabeele
Charles X – Can You Do it • 2016


Label: Alter-K
Management: Tentacule Records
Lyrics: Charles X
Music: Redrum
Director: Quentin Baillieux
Production :
Co-producers : Les Androids Associés (previz)
Executive Producer : Corry Van Rhijn
Producer : Julie Bellemare
Animation studio : Brunch
Post Production : Nightshift
Storyboard : Noé Lecombre
Character design : Wandrille Maunoury
Typography : Pierre-Alban Kientz
Modeling : David Arnould, Clement Lauricella, Valentin Samuel, Théo Dusapin
Set up : Adrien Gentil, Maxime Cozick
Animation 2D : Michael Bataille, Tristan Poulain, Amélie Maurice
Motion Design : Almir NagoAnimation 3D : Axel Digois, Aline Hananel, Johann Le Pouder,Rendering : Candice Theuillon, Remi Julien, Mathieu Maurel, Jean-Charles Kerninon
Previs Artists : Les Androids Associés – Volcy Gallois-Montbrun, Tristan Laville, Guillaume Robert, Henri Zaitoun
Editor : Benjamin Massoubre
Color grading : Gabriel PorierColor grading consultant : Luis Arteaga
Stagiaires développement : Arthur Chaumay, Leïla Courtillon  

Mellem Væggene • 2015


Sara Jespersen Holm
Director/Story Development/Animator –
Agnete Maltha Winther
Animator/Production Manager/Story Development – www.
Sara Fenya Aunbirk
Art Director/CG Generalist –
Casper K. Christensen
Technical Director/Pipeline Management/Assistant Production Management –
Camilla Anderson
CG Generalist –
Frederikke Berg
CG Generalist – www.
Anne Birk Petersen
Animation Lead /Visual Development/Story Development –
Louise Gregersen
Animator/Character Design –
Stine Dalsgaard Andersen
Additional Work:
Morten Jæger
CG Artist
Anne-Mette W. Andersen
CG Artist
Siriphon Fah Anuntasomboon
CG Artist
Lærke Kromann
CG Artist
Martin Baadsgaard
CG Artist

VIDEO 69 • 2016


A BFA3 film at CalArts by Ingo Raschka
Nowhere Man • 2016


Zilai Feng, 3rd year film at Calarts (aka Me)
Music – Jaron Crespi Sound Design – Skylar Chen
Voice Square Head – Lucie Li 李沁颖
Girl – Severa Cheung 张思绮
Pointy Hair – Me

Symphony no. 42 • 2015


Directing, Writing, Editing, Production Design, Art Direction and Animatied by
Réka Bucsi
Produced by
József Fülöp
Sound Department
Péter Benjamin

My Stuffed Granny • 2014


Based on a story by Nina Kouletakis
Directed by Effie Pappa
Produced by Miranda Ballesteros
Voice Narration: Effie Pappa
Story adaptation by Effie Pappa, Miranda Ballesteros, Melissa Iqbal
Voice over written by Katerina Giannakou
Production Designer: Thomas Antony Lowthion
Director of Photography: Tristan Chenais
Editor: Sibila Estruch
Composer: David Pearce
Sound Editor: Marton Kristof
VFX Supervisor – Online Editor – Colourist: Ram K. Tripathi Samaveda
CG Supervisor: Daniel Neeson
Slow Wave • 2016


Andy Kennedy
Re-recorded at Studio Unknown
Re-Recording Mixer: Kevin Hill, CAS
Audio Post Coordinator: Jaime Horrigan

Dömestik • 2014


Directing, Writing and Animating by
Ignatz Johnson Higham

Susanna Herbert Susanna Herbert — Anja (voice)
Tarrick Benham Tarrick Benham — Billy (voice)
Richard Reed — (voice)
Caroline Spencer — (voice)
Create a character page for: Create » ?
Sound Department
Mike Wyeld — sound mixer



Screenplay: Paulo Mosca
Executive production: Trimono & This Way Publicity
Producers: Abel Sánchez / Paulo Mosca / Marcin J. Sobzak
Art Direction: Paulo Mosca
Color Key Artist: Alfonso Salazar
Animation: Nacho Rodriguez / Paulo Mosca
Editing: Abel Sánchez / Paulo Mosca
Desing: Abel Sánchez
Image Post-production: Abel Sánchez
Music and Sound Design: Banjo Music
Composer: Iván Llopis
Lead Soundesigner: Dani Trujillo
Sound Designers: Alberto Carlassare / Fran Paredes / Marc Solá



with the voices of:
Sven Scheele
Daniela Schulz
Elmar Gutmann
Alexander Küsters
Sebastian Lörscher
Cecilia Kindermann
Jan Spänhoff
Story & Animation:
Xaver Xylophon
Xaver Xylophon & Ariana Berndl
Sound Engineer Dialogue Recording:
Jonas Pohl
Sound Post Production:
OTO Studios
Sound Engineer & Sound Designer:
Max Hachemeister
Foley Artist & Sound Editor:
Christian Heiter
Sound Engineer & Sound Editor:
Martin Burkard
Additional Sounddesign:
Kilian Teichgräber
Music “I can’t sleep without you”:
Xaver Xylophon
Professor Nanne Meyer
Andronike Roedel



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something… in between




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